Tuesday, April 18, 2017

Vigée-Le Brun, Self-Portrait 12.10.2002

There is an oft-quoted saying mis-attributed to Marie-Antoinette, Queen of France, during a famine suffered by her subjects: If they have no bread, “then let them eat cake.” In fact, this statement (which showed flagrant disregard for the suffering of the people) was never uttered by the Queen that we know from so many sumptuous portraits. These portraits are largely the work of Élisabeth Louise Vigée-LeBrun, a celebrated French artist known especially for her lavish portraits of Marie-Antoinette and other European monarchs and nobles as well as for her many self-portraits.
This particular self-portrait was painted in Rome; one of the first city's in which Vigée-LeBrun stayed during her decade-long exile from France. The artist sits in a relaxed pose at her easel and is positioned slightly off center. She wears a white turban and a dark dress—in the free-flowing style that Marie-Antoinette had made popular at the French court—with a soft, white, ruffled collar of the same material as her headdress. Her belt is a wide red ribbon. Vigée-LeBrun holds a brush to a partially finished work; the subject is probably Marie-Antoinette—perhaps intended as a tribute to her favorite sitter. Slightly used brushes are at the ready along with a palette, she has everything cradled in her arm close to the viewer.
The painting expresses an alert intelligence, vibrancy, and freedom from care. As she painted this portrait, her Queen was being driven from power by revolutionaries who hated the profligate lifestyle of the nobility and would later execute both Marie-Antoinette and her husband, King Louis XVI. Given these circumstances, Vigée-LeBrun—a working painter, wife, and mother—displays an extraordinarily sanguine persona.

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