These 1994 issue Faroese stamps on this nice cover are from one of the popular Faroese themes for
stamps, namely, old ballads.
Kvæði (Kvaedi; at
kvøða: "to sing a tune or kvæði"; kvæði also
means verse in Icelandic, also sometimes used to
mean stanza) are the old
ballads of the Faeroe Islands, accompanied by the Faroese
dance. Kvæði can have hundreds of stanzas plus a chorus sung
between every verse.
It is
generally thought that Faroese ballads, as elsewhere in Europe, began to be
composed in the Middle Ages, but we have very little medieval Faroese writing
so the ballads' medieval history is obscure. The subject matter of Faroese
ballads varies widely, including heroic narratives set in the distant past,
contemporary politics, and comic tales. The most archaic-looking layer,
however, is the heroic narratives. It was once thought that these derive
independently from Viking-Age oral narratives, and this may be true of a few,
but it has since been shown that most derive directly from written
Icelandic sagas or occasionally rímur. The traceable origins of
Faroese balladry, then, seem to lie between the fourteenth century (when the
relevant Icelandic sagas tended to be composed) and the seventeenth (when
contacts with Iceland diminished).
Faroese ballads began to
be collected by Jens Christian Svabo in 1781–1782, though Svabo's
collection was not published in his lifetime; the most prominent of Svabo's
successors was Venceslaus Ulricus Hammershaimb. The Danish
historians Svend Grundtvig and Jørgen Bloch began the
process of a complete, standard edition of the ballads, which eventually gave
rise to the Føroya kvæði/Corpus carminum Færoensium, published
between 1941 and 2003.[2] Ballads
took an important role in the development of Faroese national consciousness and
the promotion of literacy in Faroes in the nineteenth and twentieth Centuries.
Among the
most famous of all kvæði is Ormurin langi written
by Jens Christian Djurhuus and today played by the Faroese folk
metal band Týr.
Thank you Merja.
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